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dc.contributor.authorZiegler, Heidede
dc.date.accessioned2013-08-30de
dc.date.accessioned2016-03-31T11:45:20Z-
dc.date.available2013-08-30de
dc.date.available2016-03-31T11:45:20Z-
dc.date.issued1980de
dc.identifier.other393011240de
dc.identifier.urihttp://nbn-resolving.de/urn:nbn:de:bsz:93-opus-86305de
dc.identifier.urihttp://elib.uni-stuttgart.de/handle/11682/8162-
dc.identifier.urihttp://dx.doi.org/10.18419/opus-8145-
dc.description.abstractThe emblematic quality of "Echo" derives its force from the double meaning of the word "self reflection" from both its concrete and its abstract connotations. In Barth's story, this double meaning serves to relate content and form and to establish an ironic tension between them: the encounter of mythic Narcissus, the story's protagonist. with his concrete self reflection - his image in the pool determines the content of the story; and his abstract self reflection - his search for self knowledge - provides the story's form. This ironic tension is embodied in the ambivalent nature of the complement to Narcissus, the nymph Echo, who appears as both character and voice.en
dc.language.isoende
dc.rightsinfo:eu-repo/semantics/openAccessde
dc.subject.classificationBarth, John / Echo , Postmoderne , Ironiede
dc.subject.ddc810de
dc.titleJohn Barth's "Echo": the story in love with its authoren
dc.typearticlede
dc.date.updated2013-09-04de
ubs.fakultaetFakultätsübergreifend / Sonstige Einrichtungde
ubs.institutSonstige Einrichtungde
ubs.opusid8630de
ubs.publikation.sourceInternational fiction review 7 (1980), S. 90-93de
ubs.publikation.typZeitschriftenartikelde
Enthalten in den Sammlungen:15 Fakultätsübergreifend / Sonstige Einrichtung

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