Please use this identifier to cite or link to this item: http://dx.doi.org/10.18419/opus-5386
Authors: Ziegler, Heide
Title: Art and omnipotence: genre manipulation in "Requiem for a nun"
Issue Date: 1991
metadata.ubs.publikation.typ: Konferenzbeitrag
metadata.ubs.publikation.source: Lombardo, Agostino (Hrsg.): The artist and his masks. Roma : Bulzoni Editore, 1991 (Studi e ricerche 35). - ISBN 88-7119-392-X, S. 385-395
URI: http://nbn-resolving.de/urn:nbn:de:bsz:93-opus-86062
http://elib.uni-stuttgart.de/handle/11682/5403
http://dx.doi.org/10.18419/opus-5386
Abstract: "Requiem lor a Nun" is usually classified as a novel. Yet it remains an irritating example of the genre, since it appears to defy even the loosest definition of a novel. It consists of the three acts of a play called "Requiem for a Nun", each of which is preceded by a long introduction seemingly unrelated to the action, if not the setting, of the play.
Appears in Collections:09 Philosophisch-historische Fakultät

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