Art and omnipotence: genre manipulation in "Requiem for a nun"

dc.contributor.author	Ziegler, Heide	de
dc.date.accessioned	2013-08-14	de
dc.date.accessioned	2016-03-31T09:07:58Z
dc.date.available	2013-08-14	de
dc.date.available	2016-03-31T09:07:58Z
dc.date.issued	1991	de
dc.date.updated	2013-09-03	de
dc.description.abstract	"Requiem lor a Nun" is usually classified as a novel. Yet it remains an irritating example of the genre, since it appears to defy even the loosest definition of a novel. It consists of the three acts of a play called "Requiem for a Nun", each of which is preceded by a long introduction seemingly unrelated to the action, if not the setting, of the play.	en
dc.identifier.other	392978458	de
dc.identifier.uri	http://nbn-resolving.de/urn:nbn:de:bsz:93-opus-86062	de
dc.identifier.uri	http://elib.uni-stuttgart.de/handle/11682/5403
dc.identifier.uri	http://dx.doi.org/10.18419/opus-5386
dc.language.iso	en	de
dc.rights	info:eu-repo/semantics/openAccess	de
dc.subject.classification	Faulkner, William / Requiem for a nun	de
dc.subject.ddc	810	de
dc.title	Art and omnipotence: genre manipulation in "Requiem for a nun"	en
dc.type	conferenceObject	de
ubs.fakultaet	Philosophisch-historische Fakultät	de
ubs.institut	Institut für Literaturwissenschaft	de
ubs.opusid	8606	de
ubs.publikation.source	Lombardo, Agostino (Hrsg.): The artist and his masks. Roma : Bulzoni Editore, 1991 (Studi e ricerche 35). - ISBN 88-7119-392-X, S. 385-395	de
ubs.publikation.typ	Konferenzbeitrag	de

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